Robert Scott Actor
Born on August 8th, 1982. Originally from Panama City, Central America, he began his acting career in Santiago, Chile in 2002, cultivating his craft there before continuing it in Berlin, where he has been based since 2026. His standout project since arriving in Berlin is the film EXPLODING DUCKS by Matthias Glasner.
Vista general
NacionalidadEstados Unidos, Chile, Panamá
IdiomasEspañol (Lengua materna), Inglés (con fluidez), Inglés americano (con fluidez), Alemán (Básico), Inglés británico (Básico), Italiano (Básico)
Nacido1982, Panama, Panamá
Rango de edad37 - 47
Altura185 cm
Tipo de étniaLatino / Hispano, Multiétnico
Lugar de residenciaBerlin - Berlín (Alemania), Florida (Estados Unidos), Berlin - Berlín (Alemania)
Posibilidad de alojamientoSantiago (Chile), Panama (Panamá), Munich - Baviera (Alemania), Madrid - Madrid (España)
Permiso de trabajoEuropean Union, United States
Contacto
Datos de contacto alternativos:
Habilidades/Talentos
Idiomas Español (Lengua materna), Inglés (con fluidez), Inglés americano (con fluidez), Alemán (Básico), Inglés británico (Básico), Italiano (Básico)
Dialectos Southern - American (Dialecto nativo), Standard American (con fluidez)
Acentos Caribeño (Acento nativo), Español (Acento nativo), Latinoamericano (Acento nativo), Sudamericano (Acento nativo), Inglés (excelente), Mexicano (excelente), Americano (bueno/bien), Argentino (bueno/bien)
Danza Bachata (excelente), Baile latinoamericano (excelente), Butoh (excelente), Coreografía (excelente), Danza improvisada (excelente), Danza teatro (excelente), Danza-entrenamiento (excelente), Merengue (excelente), Salsa (excelente), Afro (bueno/bien), Ballet (bueno/bien), Chachachá (bueno/bien), Dancehall (bueno/bien), Danza africana actual (bueno/bien), Danza africana tradicional (bueno/bien), Danza libre (bueno/bien), Disco (bueno/bien), Forró (bueno/bien), Rumba (bueno/bien), Capoeira (Básico), Danza urbana (Básico), Samba (Básico), Street dance/Danza urbana (Básico), Swing (Básico)
Registro vocal / Voz de doblaje Barítono
Instrumentos de música Cajón (excelente), Flauta (bueno/bien), Percusión (bueno/bien), Yembe (bueno/bien), Batería (Básico), Bongos (Básico), Charango (Básico), Guitarra (Básico)
Deportes practicados Aerobic (excelente), Billar americano (excelente), Kárate (excelente), Natación (excelente), Tai-Chi (excelente), Tai-Chi Chuan (excelente), Yoga (excelente), Artes marciales (bueno/bien), Baloncesto (bueno/bien), Bicicleta de montaña (bueno/bien), Bolos (bueno/bien), Boxeo (bueno/bien), Ciclismo (bueno/bien), Esgrima (bueno/bien), Esquí acuático (bueno/bien), Footing (bueno/bien), Motociclismo (bueno/bien), Pilates (bueno/bien), Rafting (bueno/bien), Voleibol (bueno/bien), DL - Defense Lab / DNA Fight Science System (Básico), Gimnasia (Básico), Kayak (Básico), Patinaje sobre hielo (Básico), Pesas (Básico), Tenis (Básico), Tenis de mesa (Básico)
Carnet de conducir /Otros permisos Carné de conducir de coche
Otras habilidades Profesor de danza
Aspecto físico
Rango de edad 37 - 47
Altura 185 cm
Constitución física Deportista-atlético
peso 80 kg
Color de ojos Marrón
Color de pelo Castaño
Tipo de pelo Semi-largo rizado
Vello facial Barba
Gemelo/a No
Tipo de étnia Latino / Hispano, Multiétnico
Tatuajes Sí, invisibles
Piercing No hay
Gafas Sin (No)
Cicatrices No hay
Formación
Universidad Finis Terrae
Professional Title: Actor / Bachelor Degree: Acting
Universidad Finis Terrae
Seminar/Workshop - Acting and Television. Instructor: Ivana Chubbuck. Topic: The Chubbuck Method. Based on the techniques of Uta Hagen and Lee Strasberg.
http://matusactores.com/escuela/
Advanced On- Camera Acting - Instructor level 2: Roberto Mattus. Level 3: Paulina Garcia
Facultad de Teatro Universidad de Chile
Dramatic Mime - Instructor: Ricardo Gaete
Universidad Finis Terrae
Dance Theater - Instructor: Thomas Bentin
Universidad Finis Terrae
Body weather and manipulations - Instructor: Elias Cohen
Universidad Finis Terrae
Seminar/Workshop - Instructor: Jorge Eines. The three binominals. The scene as a situation, the character as behavior
Facultad de Teatro Universidad de Chile
Theatrical Research - Raul Osorio
Universidad Finis Terrae
Devised Theatre - Instructor: Karstein Solli
Universidad Finis Terrae
Actor's Training - Instructor: Souphiene Amiar. From the Workcenter of Jerzy Grotowsky and Thomas Richards.
Universidad Finis Terrae
Butoh Dance - Instructor: Makiko Tominaga
CV Highlights CV - Televisión & Streaming CV - Cine CV - Teatro CV - Publicidad CV - Otros
Highlights
2001 - 2004
Andres Garcia
Director/a
Miembro de la compañía
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
2016 - 2017
Mi Abuelo Horacio
Monólogo
Drama, Monólogo
Malucha Pinto
Director/a
Papel principal
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
2015
Malucha Pinto
Director/a
Actor secundario
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
2014
Malucha Pinto
Director/a
Actor secundario
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
2013 - 2018
Aliocha de la Sotta
Director/a
Papel principal
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
2013
Eduardo Herrera
Director/a
Juan José
Papel principal
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
2011 - 2012
Paulina García
Director/a
Lina
Papel principal continuo
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
2011 - 2013
Cristina Alcaide
Director/a
Papel principal
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
2011 - 2012
Paulina García
Director/a
Ivanov
Papel principal
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
2010
Raul Osorio
Director/a
Papel continuo
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
2019
Gonzalo Diaz
Director/a
Armando
Actor secundario
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
2025
Performan
Cortometraje
Antonia Renard
Director/a
Josué
Papel principal
CV - Cine
2026
Matthias Glasner
Director/a
Aguti
Actor secundario
Just released from prison, a former CIA Agent tries to find her daughter and lover and has to fight drug bosses, manipulative spies and inner demons.
2025
Performan
Cortometraje
Antonia Renard
Director/a
Josué
Papel principal
2019
Gonzalo Diaz
Director/a
Armando
Actor secundario
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
CV - Teatro
2016 - 2017
Mi Abuelo Horacio
Monólogo
Drama, Monólogo
Malucha Pinto
Director/a
Papel principal
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
2015
Malucha Pinto
Director/a
Actor secundario
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
2014
Malucha Pinto
Director/a
Actor secundario
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
2013 - 2018
Aliocha de la Sotta
Director/a
Papel principal
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
2013
Eduardo Herrera
Director/a
Juan José
Papel principal
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
2011 - 2012
Paulina García
Director/a
Lina
Papel principal continuo
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
2011 - 2013
Cristina Alcaide
Director/a
Papel principal
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
2011 - 2012
Paulina García
Director/a
Ivanov
Papel principal
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
2010
Raul Osorio
Director/a
Papel continuo
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
2001 - 2004
Andres Garcia
Director/a
Miembro de la compañía
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
CV - Otros
2023
Antonia Renard
Director/a
Co-protagonista
